![]() The nature of this relationship is exactly reminiscent of Monsters, Inc. The humans are initially terrified of the sea monsters. Near the end of the movie, Alberto, Luca, and his parents are revealed to be sea monsters in front of the entire town. ![]() So, naturally, when they're dried off, they take the shape of humans, and they're not happy with their appearances. Luca's parents eventually come on land in an attempt to find their missing son. They're also a little disgusted with humans as well. Just like the monsters in Monsters, Inc., this makes them terrified of humans. But the sea monsters are aware of humanity's disdain for them, forcing them to stay in the ocean. Residents of the town of Portorosso may hunt sea monsters like Luca and Alberto, but the monsters are rarely seen. Sea monsters are also something of a myth in Luca. This is yet another parallel between Luca and Monsters, Inc. It makes for an even more fraught relationship between humans and monsters, making humans constantly terrified of what they are capable of. Because of that, they have to live in constant hiding. Banished monsters, such as the Abominable Snowman, are forced to live among humans. But the catch is that monsters are scared and repulsed by humans. In Monsters, Inc., the titular creatures are in the scare business - they make their living scaring humans. This revelation adds layers to the monster and human relationship established in the movie. This moment showed that monsters banished from their own world become mythical creatures of human folklore. Mike mentions two other banished monsters as well - Loch Ness and Big Foot. They come in contact with another banished monster referred to as the Yeti, who turns out to be the Abominable Snowman. For example, Sully and Mike ended up being banished from Monstropolis to the Himalayas. Monsters, Inc. revealed that human myths were created from exiled monsters. Luca's sea monsters are a prime example of that. ![]() Other movies take a more subtle approach to referencing their predecessors in the shared movies. ![]() Some Easter eggs are as blunt as Toy Story's Pizza Planet truck appearing in nearly every Pixar movie. Various Easter eggs and references across the movies in order connect them to one another and continually flesh out the Pixar universe. Boo did this for decades until she became an old woman, specifically the witch in Brave. The Pixar theory goes round and round in a loop. She remembered the doors' magic and used them to travel across different time periods in order to search for him. After Sully left her at the end of the movie, she made it her life's mission to find him again. The key player in this entire theory is Boo from Monsters, Inc. That energy leads to humans dying out but gives rise to animals and inanimate objects taking over the planet. Essentially, it tracks the rise and fall of society and humanity, with the Toy Story franchise's Buy n Large poisoning the planet. taking place thousands of years in the future. Pixar's wide cannon of movies take place across thousands of years, with The Good Dinosaur taking place 65 million years in the past and Monsters, Inc. While it's never been confirmed as canon, author Jon Negroni developed a thorough theory in 2013 explaining how every Pixar movie is connected.
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